Elisabeth Holder

Context: Architecture

Exhibition venue Goldschmiedehaus Hanau

From her dialogue with the Goldschmiedehaus and its unique architectural character emerged a series of site-specific interventions and objects. Holder sought to attune visitors to subtle nuances of the space, creating a sensory prelude that begins outside the building's walls.

 

1x2 Ellen
1 / 5   1 x 2 Ellen. Panel, 2023. The bench boasts the adornment of a glowing panel, measuring 1 x 2 Hanau.
1x2 Ellen
2 / 5   1 x 2 Ellen. Detail
1x2 Ellen
3 / 5   Elle 55˚, Acrylic bar measuring one Hanau Elle, 2024
Spieglein an der Wand
4 / 5   Spieglein an der Wand. Sandstone relief "Affe mit Spiegel" with addition, 2024
Spieglein an der Wand
5 / 5   Spieglein an der Wand. Detail of sanstone relief with reflective addition. Photography: Ruven Wiegert

Today. Goldschmiedehaus
1945 and 1954

In May 1945, an air raid left the Goldschmiedehaus in Hanau reduced to its foundational stone walls. Remarkably, less than a decade later, the building was carefully reconstructed following its original architectural plans, once again becoming a space dedicated to showcasing goldsmithing art.

At the heart of the exhibition, a carefully curated photographic installation reveals the building's dramatic transformation. By presenting images of both its destroyed state and subsequent rebuilding within the exhibition space, the display invites visitors to reflect on a moment in history that might otherwise fade from collective memory.

 

Today
1 / 3   Today. Goldschmiedehaus 1945 and 1954. Collage, Photographs: Media center and picture library Hanau
Today
2 / 3   Today. Goldschmiedehaus 1945 and 1954. Installation detail. Photography: Ruven Wiegert
Today
3 / 3   Today. Goldschmiedehaus 1945 und 1954. Installation. Photography: Ruven Wiegert