Elisabeth Holder

Context: Exhibition

“Throughout her career, Elisabeth Holder has created a multifaceted œuvre of interconnected ideas within a vast creative universe. Her aesthetic threads intersect, weave together, diverge, and reunite in ways that transcend conventional jewellery practice. [...] From her earliest works, the artist has approached her medium with remarkable depth and investigative spirit, transforming material exploration into profound artistic inquiry.” Ellen Maurer Zilioli

Elisabeth Holder – From Jewellery to Contextual Art.

Goldschmiedhaus Hanau, 2024

The question of what jewellery is and what jewellery can be permeates Elisabeth Holder's work. Her exhibition—exploring Form, Symbol, Material, and Context—charts her trajectory from traditional jewellery-making into the realm of Contextual Art. She liberates jewellery from its thus far exclusive connection to the human body, thus expanding the concept of jewellery and revealing the different environments—architectural spaces, natural landscapes, and even discarded materials—that can serve as contexts for jewellery.


Deutsches Gold­schmiede­haus Hanau

Publication on the exhibition by Ruven Wiegert


Ausstellung Goldschmiedehaus Hanau, 2024
1 / 15   The Exhibition Poster. Created by Ruven Wiegert, the poster reflects the breadth of the author's work,, and became the defining design element, informing not just the exhibition's overall aesthetic but also shaping all accompanying printed materials.
Ausstellung Goldschmiedehaus Hanau, 2024
2 / 15   Magma. Brooch, subject area material. Photography: Ruven Wiegert
Ausstellung Goldschmiedehaus Hanau, 2024
3 / 15   Today. Goldschmiedehaus 1945 und 1954. Installation. Photography: Ruven Wiegert
Ausstellung Goldschmiedehaus Hanau, 2024
4 / 15   Subject area form. Photography: Ruven Wiegert
Ausstellung Goldschmiedehaus Hanau, 2024
5 / 15   Without Title. Brooch, subject area form. Photography: Ruven Wiegert
Ausstellung Goldschmiedehaus Hanau, 2024
6 / 15   The basic elements water, earth, fire, air. Subject area material
Ausstellung Goldschmiedehaus Hanau, 2024
7 / 15   Gehaltener Flug. Detail of basic element air. Photography: Ruven Wiegert
Ausstellung Goldschmiedehaus Hanau, 2024
8 / 15   Garden Pieces. Subject area form. Photography: Ruven Wiegert
Ausstellung Goldschmiedehaus Hanau, 2024
9 / 15   Einschreibungen. Subject area signs
Ausstellung Goldschmiedehaus Hanau, 2024
10 / 15   Einschreibungen II. Porcelain drawing, Zigzag. Brooches, subject area signs. Photography: Ruven Wiegert
Ausstellung Goldschmiedehaus Hanau, 2024
11 / 15   Introductory area
Ausstellung Goldschmiedehaus Hanau, 2024
12 / 15   Information area
Ausstellung Goldschmiedehaus Hanau, 2024
13 / 15   Schmuckader. Subject area context. Photography: Ruven Wiegert
Ausstellung Goldschmiedehaus Hanau, 2024
14 / 15   Farbfunde. Subject area context
Ausstellung Goldschmiedehaus Hanau, 2024
14 / 15   Farbfunde. Jewellery object. Subject area context. Photography: Ruven Wiegert

Gestalterische Dialoge

Düsseldorf Stadtmuseum, together with the colleague Prof. Gabi Schillig 2016/2017


The dialogue approach method in design processes served as the topic for the students. For this purpose, they had the collections of the Düsseldorf Stadtmuseum at their disposal, from which they could choose an exhibit for their discussions and their creative works were shown in the context of the museum collection. Placed in a spatial, directly juxtaposed relationship to the original work in the museum, their work served to make the different levels of meaning of the designs visible and tangible.


Website: Gestalterische Dialoge




“A new dimension emerges in the interplay between with the material, the spaces, and the visitors …”
Susanne Anna
Gestalterische Dialoge
1 / 6   Poster in the foyer of the Stadtmuseum. Photography: Gabi Schillig
Gestalterische Dialoge
2 / 6   Spatial objects as information media. Photography: Felix Obermaier
Gestalterische Dialoge
3 / 6   Spatial objects as information media, Detail. Photography: Gabi Schillig
Gestalterische Dialoge
4 / 6   Architecture Walk. Marta Colombo, 2016. Photography: Gabi Schillig
On the photographs "Projekt Rheinhafen Düsseldorf" by Tata Rankholz and Thomas Struth, 1979 – 1980
Gestalterische Dialoge
5 / 6   Guided tour through the exhibition. Photography: Gabi Schillig
Doris Ahlgrimm explains her work Verbindungen (Connections), created in response to the painting Zeitgenossen (Contemporaries) by Arthur Kaufmann, 1925.
Gestalterische Dialoge
6 / 6   Der Erzähler. Tegshtuya Gandugar, 2016,
On the exhibit Stehende männliche Figur (Standing Male Figure) by Walter Corsten, 1929


Video starts automatically. Duration: 2'31''

Der Erzähler. Tegshtuya Gandugar, 2016

Schmuck als urbaner Prozess

Düsseldorf Stadtmuseum, together with the colleague Prof. Gabi Schillig, 2014/2015

Against the background of a generalised and expanded concept of jewellery, students worked in public space, leading to new designs related to urban space in the form of objects, actions, installations, and interventions. The adorning accents and the preceding design processes were prepared by the students for a special exhibition in the Düsseldorf Stadtmuseum. In so doing, they succeeded in making the great variety of design processes visible and the temporary works, with their non-repeatable moments, tangible.

 

Publication: Schmuck als urbaner Prozess
Context: City

Exhibition: Schmuck als urbaner Prozess
1 / 6   Entrance to exhibition. Photography: Jonas Schneider
Exhibition: Schmuck als urbaner Prozess
2 / 6   Exhibition view. Photography: Jonas Schneider
Exhibition: Schmuck als urbaner Prozess
3 / 6   Reading area with the booklets on the works. Photography: Jonas Schneider
Exhibition: Schmuck als urbaner Prozess
4 / 6  Exhibition view. In the foreground the project Punkt Los! by Patrick Bork. Photography: Lara Wahl
Exhibition: Schmuck als urbaner Prozess
5 / 6  Exhibition view. In the foreground the project Wolkengefunkel by Felicia Mülbaier. Photography: Jonas Schneider
Exhibition: Schmuck als urbaner Prozess
6 / 6   Exhibition view, Project "Barmer Bahnhof" (Barmer Train Station), Vera Aldejohann, 2012. Photography: Felix Obermaier

Was ist Schmuck?

Presentation of research results by the author in the Department of Design at the University of Applied Sciences Düsseldorf, 2008

The exhibition “Was ist Schmuck?” (What is Jewellery?) was the result and summation of a research into the nature of what constitutes as jewellery and the conditions it must fulfil for it to be considered an adornment in contexts other than in the conventional sense of the jewellery piece adorning the wearer. Such forms of jewellery are designed for a particular context and remain bound to it. And though they can be documented photographically, they cannot be simply transferred. Thus, in addition to a documentation of the works developed for other locations, the presentation had to include works related to the exhibition site itself, to better highlight the reason why a context-specific artistic work must be called jewellery.

 

Blickfang (Eye Catcher)
Oase (Oases)

Exhibition: Was ist Schmuck. University of plied Sciences Dusseldorf
1 / 5   Blickfang. 2008. Photography: Jörg Reich
Exhibition: Was ist Schmuck. University of plied Sciences Dusseldorf
2 / 5   Video piece by Christina Karababa, 2008
Exhibition: Was ist Schmuck. University of plied Sciences Dusseldorf
3 / 5   Poster
Exhibition: Was ist Schmuck. University of plied Sciences Dusseldorf
4 / 5  Schwarzes Gold. Site-specific work, 2008.
Exhibition: Was ist Schmuck. University of plied Sciences Dusseldorf
5 / 5  Schwarzes Gold. Site-specific work, detail, 2008