These works are committed to abstract geometry. They are constructed into three-dimensional objects based on their surface shape, transforming them into the captured idea of geometric bodies.
A right-angled network of freely drawn lines, applied directly to the metal without the aid of a ruler, define these works. Here the abstract form of the straight line is abandoned in favour of its sensually perceptible origin. And the cubic bodies they create need to follow these freeform lines. This gives these bodies room to move, that being the essential difference to their abstract geometric counterparts.
“Line, executed by hand, encompasses the sensual experience of the path made …” Marianne Pollich