Elisabeth Holder

Signs: Ornament

Ornament as Accentuation

The works shown here follow the classical definition of ornament. This serves to accentuate or enliven the supporting surfaces of an object.


The range extends from a stimulating pattern covering the entire surface and closely connected with it to a single character lying on the surface.

 

Context: Human,
Objects of Adornment,
Überkreuz

Ornament as Accentuation
1 / 4   Überkreuz. Necklace, 1998
Ornament as Accentuation
2 / 4   Bracelet, 1987
Ornament as Accentuation
3 / 4   Impressions. Brooch, 1991
Ornament as Accentuation
4 / 4   Impressions. Brooch, 1991

Embodied Signs

Deviating from the classical ornament, these works dispense of a supporting surface. The embodied signs can be joined together to form ever new ornamental forms. Carried, they also fulfil the task of the ornament, namely, to accentuate and decorate.

 

Embodied Signs
1 / 4   Sphinx-Schlüssel-Ringe. Rings, 1992
The dividing lines of the “Divided Squares” necklace series as embodied signs.
Embodied Signs
2 / 4   Sphinx-Schlüssel-Ringe. Ring pairs, 1992
 
Embodied Signs
3 / 4   Stäbe III. Five and four-piece ring sets, 1994
 
Embodied Signs
4 / 4   Stäbe III. Four-piece ring sets, 1994